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Albrecht Durer Portrat des Kaisers Maximilian I. oil painting


Portrat des Kaisers Maximilian I.
Painting ID::  81338
Albrecht Durer
Portrat des Kaisers Maximilian I.
83 x 65 cm 1519 cjr

   
   
     

Albrecht Durer Maria mit Kind vor einer Landschaft oil painting


Maria mit Kind vor einer Landschaft
Painting ID::  81866
Albrecht Durer
Maria mit Kind vor einer Landschaft
Oil on panel Deutsch: Pappelholz Dimensions Deutsch: 89 x 74 cm cyf

   
   
     

Albrecht Durer Portrat des Michael Wolgemut oil painting


Portrat des Michael Wolgemut
Painting ID::  81884
Albrecht Durer
Portrat des Michael Wolgemut
1516 Medium Oil on panel Dimensions Deutsch: 29 x 27 cm cyf

   
   
     

Albrecht Durer Heiliger Onophrius oil painting


Heiliger Onophrius
Painting ID::  81888
Albrecht Durer
Heiliger Onophrius
. 1504(1504) Medium Oil on panel Dimensions 20 x 58 cm (7.9 x 22.8 in) cyf

   
   
     

Albrecht Durer Jabach Altar linker Flugel auben oil painting


Jabach Altar linker Flugel auben
Painting ID::  82271
Albrecht Durer
Jabach Altar linker Flugel auben
. 1500-1503 Medium color on linden Dimensions 96 x 51 cm (37.8 x 20.1 in) cyf

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | School of Fontainebleau | Charles-Francois Daubigny | Jean Ranc |


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